Beauty through repair: community-based recovery

Master’s Degree Project 2026

This project explores beauty through recovery in Palestine. Beauty is woven into craft, domestic space, and daily objects; the floor tile and tatreez have sustained identity, belonging, and dignity under occupation. War has made rebuilding urgent. Recovery must be community-led, using available materials and techniques, with beauty central, not an afterthought. The design proposal applies this understanding to Gaza, where beauty becomes a tool for rebuilding both the built environment and the communities that inhabit it.

The reconstruction proposal unfolds in phases. The first establishes a community centre in the less damaged eastern wing, combining basic necessities, a community kitchen and bathrooms, with a tile workshop and temporary housing for workers. The second repairs the more severely damaged western wing, using gabion cages filled with sorted rubble to close larger gaps in the facade. The gabion cages are made of reclaimed rebar from the rubble; this system works with all sizes of rubble and can be assembled without heavy machinery or new concrete.

Through a workshop with Palestinians, a discussion on rubble as the main material for rebuilding was held. It is not just rubble, it is someone's home and belongings, and using it as a building material would be a constant reminder of the horrors. Yet to forget or erase that history would be its own kind of loss; remembering is part of how a community carries its story forward and ensures the past is not repeated.

The design proposes that the rubble does not have to remain visible. Tiles produced in the workshop could cover it at first, softening its harsh edges without erasing the memories it carries, and adding the familiar feel of an old tradition. Later, the tiles could be moved elsewhere to once again expose the bare rubble, when the community is ready. Recovery happens in phases, and so does healing.

Through conversations and workshops, the importance of the community having a central role in Gaza's reconstruction became clear. The project aims to show that recovery can be both structural and emotional, rebuilt by and for the people who call it home.

Moa Pechmann

Architecture Programme, Studio 10
Artwork by student Image:Moa Pechmann

Map of the shrinking of Palestinian territories; visualisation of beauty and tradition as a method of resistance.

Artwork by student Image:Moa Pechmann

Tatreez (traditional Palestinian cross-stitch) workshop in Umeå. Sharing and highlighting Palestinian culture. Map on the targeted destruction of cultural heritage sites in Gaza. 

Artwork by student Image:Moa Pechmann

Map of the destruction in the Gaza Strip, zoom in on Gaza City and the old municipality building

Artwork by student Image:Moa Pechmann

The old Municipality building's community-based reconstruction proposal. Using gabion cages filled with rubble.

Artwork by student Image:Moa Pechmann

Using rubble in reconstruction can become a harsh reminder, so by covering it with traditionally made tiles, the past is not forgotten but remembered in a gentler way.

Artwork by student Image:Moa Pechmann

The phases of recovery of the old municipality building.